- 384 Pages
- Published by Berklee Press
- Softcover
Product DescriptionAn essential resource for both students and professionals, offering shrewd insight into the business, process, and art of writing music for film and TV. Interviews with top film scoring professionals add the priceless insight of the wisdom that comes with experience. . . . More >>
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This book is very thorough and a great read. Detailed and not boring. I highly recommend it for any aspiring film composer, there is a lot of information in it.
Rating: 5 / 5
It`s all Berklee here !!!
Written by the great Richard Davis it`s an invaluable book that reveals the film scoring process.
It’s just perfect for people who wants to begin a composer career. Very practical to read.
And if you’re pro this will ilustrate you how to do it better, and have some important considerations
Rating: 5 / 5
This is simply a wonderful book, essential for a composer interested in film sountrack world.
Rating: 5 / 5
This book arrived at my house yesterday, and I have since nearly completed it. I really can’t put it down. This book is a real gem, with interviews of the real pros whose work you have certainly already heard. This book really gives you an extensive background of music in movies and a formidable description of what kind of work it REALLY takes to take on such a monumental task. For someone who is interested in film scoring, it shows you just about everything and everyone you will encounter. The interviews towards the back of the book are total gems. This book was a shot-in-the-dark buy, but a real gem. If you write music and you don’t own this. . . you get the idea.
Rating: 5 / 5
I am a film music composition student and this is the most detailed book that I have read on the subject. The interviews with well-known film composers are really good. I highly recommend this book.
Rating: 5 / 5